Iceland, Geography, and Biophilia
My child-like excitement for an impending university geography field trip to Iceland has led me to exploring the concept of biophilia. The distinct lure of Iceland feels like a spiritual calling to the wonder and beauty of the natural world. My excitement reminds me of the draw to studying geography: a love of the world in its full human and natural dimensions. Mine is a spiritual and political love that deplores inequality and poverty, injustice, exploitation of humans and the environment, despoliation and mindless plunder, and the ultimate betrayal of our custodianship of planet Earth, otherwise known as the potentially catastrophic era of the Anthropocene. Specifically, mine is a love for what the human species, all living beings, and our shared home of Earth could be and should be, against the harm wrought to us all by capitalism. My imminent visit to Iceland is a rekindling of my original love for geography and a journey into the meaning of biophilia. This journey starts with Icelander Björk’s album “Biophilia” and proceeds to the writings of Edward O. Wilson and Erich Fromm.
Björk’s album “Biophilia”, released in 2011, was the outcome of what had been happening in Iceland during that time, from the financial crisis to an environmental movement against the building of five aluminium factories: “on so many different levels”, she says, “there was this message that all the old system don’t work anymore, you’ve got to clear your table and start from scratch” (Björk 2011a). The album is “about connecting the dots, it’s not so much about that each thing is original, it’s more about building bridges between things that haven’t had bridges between them before, like nature and technology, and like atoms and the galaxy” (Björk 2011b). In one sense, Björk’s “Biophilia” is a product of what geographer Yi-Fu Tuan (1972) termed topophilia, our affective bond to place which is born from our experiences and circumstances: “being brought up in Iceland I have always had a relationship with nature, before I even knew that that’s not common, living in a capital in Europe but you’re still surrounded by mountains and ocean”; while walking to and from school, “I started mapping out my melodies to landscapes”; at music school from aged five to fifteen, “I was being introduced to the classical canon, Beethoven and Bach, and finding some of it interesting but a lot of it not really matching my own strong experience […] and also being a girl in the 70s in Iceland, I mean this was like for girls in Germany in the 1700s! I wanted musicology for girls, Icelandic girls in the twentieth century” (Björk 2011b).
The word biophilia is commonly attributed to the biologist Edward O. Wilson, namely, to his book Biophilia published in 1984, which was followed by an edited collection titled The Biophilia Hypothesis (1993). For Wilson (1993: 31), biophilia “is the innately emotional affiliation of human beings to other living organisms”. He makes the case for a hereditary biophilia that has developed through gene-culture coevolution, and calls upon psychologists and other academics to urgently investigate, in the context of the natural environment, what “will happen to the human psyche when such a defining part of the human evolutionary experience is diminished or erased” (Wilson, 1993: 35). Wilson’s (1993: 38-39) biophilia is a central part of a new environmental ethics, which, while acknowledging the utilitarian potential and material value of wild species, pleas for consideration of “the hereditary needs of our own species” in which the biodiversity of life has “immense aesthetic and spiritual value”. In The Biophilia Hypothesis, the environmentalist scholar David W. Orr offers a more radical agenda, calling for a biophilia revolution. On closer examination, his revolution is an incremental set of demands with a left-tinged anti-globalisation, localism, and patriotism, which cuts against a sense of biophilia as a global relationship to humankind and planet Earth; indeed, he confesses, “I do not know whether it is possible to love the planet or not” (Orr, 1993: 432).
Despite the popular association of biophilia with Edward O. Wilson, it was in fact the humanistic Marxist philosopher and psychoanalyst Erich Fromm (1900-1980) who first introduced the term, explicitly in The Heart of Man: Its Genius for Good and Evil (1964) and The Anatomy of Human Destructiveness (1973), and implicitly in The Sane Society (1956) and Marx’s Concept of Man (1961). Like Wilson, Fromm considers biophilia – the love of life – as having a biological grounding, specifically, as an innate tendency in all living beings to preserve life and to fight death. But for Fromm, biophilia is also more than this, it is an innate tendency to integrate and to unite; or, to paraphrase Björk, to build bridges. Unlike Wilson, Fromm’s basis for studying biophilia is not biology but the conditions of existence that shape human beings as fundamentally social beings and the capitalist conditions of existence that estrange us from this basic need for connection.
Before I embark into the world of Fromm’s biophilia, which, I argue, offers us a critical theoretical basis for a rallying call for ecological sovereignty, I contextualise this call within a particular framing of the ecological crisis of the twenty-first century.
Anthropocene versus Capitalocene
The Anthropocene (from the Greek work “anthropos” meaning human being) is the term designated to the thesis that human activity has tipped the Earth into a new geological age. On the present vogue of the Anthropocene, Benjamin Kunkel (2017: 22-23) writes:
“It expresses […] an awareness that environmental change of the most durable significance is taking place as we speak, with unaccustomed speed. (Little besides a giant asteroid or a nuclear war could alter the surface of the earth faster and more completely.) […] the Anthropocene condenses ‘into a single word’, as Davies says, ‘a gripping and intuitive story about human influences on the planet’. It designates a contemporary situation in which humanity, accidentally or deliberately, engineers the planet’s condition, and then sets this present moment in a span of time stretching decades, centuries or millennia into past and future. […] What was once true about the now passé term ‘postmodernism’ is true for the Anthropocene today: it names an effort to consider the contemporary world historically, in an age that otherwise struggles with its attention span.”
While intended as a rallying call, Kunkel (2017: 23) identifies arguments that the Anthropocene is also “a watchword of despair”. Reviewing Jason Moore’s (2015) Capitalism in the Web of Life and Andreas Malm’s (2015) Fossil Capital, he summates their critiques of the Anthropocene and Moore’s alternative thesis of the Capitalocene:
“Its defect, as Moore sees it, is to present humanity as a ‘homogenous acting unit’, when in fact human beings are never to be found in a generic state. They exist only in particular historical forms of society, defined by distinct regimes of social property relations that imply different dispositions towards ‘extra-human nature’. […] Moore proposes that the Anthropocene be renamed the ‘Capitalocene’, since ‘the rise of capitalism after 1450 marked a turning point in the history of humanity’s relation with the rest of nature, greater than any watershed since the rise of agriculture.’ Malm […] locates the headwaters of the present ecological crisis several centuries later, in the global warming set off by coal-burning industrialisation. He complains that in ‘the Anthropocene narrative’, climate change is ‘relocated from the sphere of natural causes to that of human activities’ only to be ‘renaturalised’ a moment later as the excrescence of ‘an innate human trait’. […] ‘Capitalism in a small corner of the Western world invested in steam, laying the foundation of the fossil economy; at no moment did the species…exercise any sort of shared authority over its own destiny and that of the earth system.’ Nor in the time since has the species en bloc become ecologically sovereign: ‘In the early 21st century, the poorest 45 per cent of humanity generated 7 per cent of CO2 emissions, while the richest 7 per cent produced 50 per cent.’ For Malm and Moore, capitalism must be recognised as the overriding determinant of humanity’s recent ecological career if the present era of natural history is to become a useful object of analysis, not merely of handwringing.” (Kunkel, 2017: 23)
As I will go on to illustrate, Fromm’s concept of biophilia is grounded in a comprehension of capitalist social relations in which humanity is neither individually autonomous nor a sovereign political bloc but is instead removed from its social relationship to other living beings and to nature. Moreover, for Fromm, there is nothing natural about the antithesis of biophilia; as such, there is no inherent human trait underpinning capitalism that has led us into the Anthropocene. Vis-à-vis the ecological crisis of the twenty-first century, Fromm’s distinctly socialist biophilia is an urgently needed rallying cry against the Capitalocene.
Fromm’s socialist Biophilia
“Socialism for Marx was, as Paul Tillich put it, “a resistance movement against the destruction of love in social reality.”” (Fromm, 1961: 59)
i. Social beings, total beings, and productive life
For Fromm, it is a fundamental human need to connect with living beings:
“The necessity to unite with other living beings, to be related to them, is an imperative need on the fulfilment of which [our] sanity depends. This need is behind all phenomena which constitute the whole gamut of intimate human relations, of all passions which are called love in the broadest sense of the word.” (Fromm, 1956: 30)
Furthermore, as humans we search for meaning to our existence and desire transcendence: all our “passions and strivings […] are attempts to find an answer to [our] existence” (Fromm, 1956: 29). In this respect we are faced with two conflicting tendencies, to love and to create, and/or to hate and to destroy:
“Creation and destruction, love and hate, are not two instincts which exist independently. They are both answers to the same need for transcendence, and the will to destroy must rise when the will to create cannot be satisfied. However, the satisfaction of the need to create leads to happiness; destructiveness to suffering […].” (Fromm, 1956: 38)
This need for relatedness and transcendence has no “physiological substrata” but rather is based on our primary driver as a species-being, the human situation: “the total human personality in its interaction with the world, nature and [human beings]; it is the human practice of life as it results from the conditions of human existence” (Fromm, 1956: 70).
Fromm recognises that our spiritual health flourishes when our conditions of existence provide ‘freedom to’, not simply ‘freedom from’. This freedom to allows for the total human personality to grow, as based on our relation to each other, the world, and oneself. Here he draws upon Marx’s notion of ‘total man’ [sic]: whose “independence and freedom” are founded on “the act of self-creation”, which is achieved when our individuality is affirmed and expressed in each of our relations to the world, that is, quoting Marx, “seeing, hearing, smelling, tasting, feeling, thinking, willing, loving” (Fromm, 1961: 37-38). Fromm (1961: 38) sees Marx’s goal of socialism – the emancipation of human beings – as our “self-realization in the process of productive relatedness and oneness with [humans] and nature”. For Marx (alongside Spinoza, Goethe, and Hegel), he explains, humans are “alive” inasmuch as we are “productive”, grasping the world outside of ourselves in the act of affirming and expressing our total being; inasmuch as we are “not productive”, i.e., “receptive and passive”, we are “nothing”, we are “dead” (Fromm, 1961: 29-30). Fromm (1961: 30) contextualises this concept of productivity – as opposed to receptivity – within Marx’s understanding of “the phenomenon of love”:
““Let us assume man to be man [sic],” [Marx] wrote, “and his relation to the world to be a human one. Then love can only be exchanged for love, trust for trust, etc. If you wish to influence other people you must be a person who really has a stimulating and encouraging effect upon others. Every one of your relations to man and to nature must be a specific expression corresponding to the object of your will, of your real individual life. If you love without evoking love in return, i.e., if you are not able, by the manifestation of yourself as a loving person, to make yourself a beloved person, then your love is impotent and a misfortune.””
Love, for Fromm (1956: 32), is a crucial aspect of “the productive orientation: the active and creative relatedness” of humans to their fellow humans and to nature:
“In the realm of thought, this productive orientation is expressed in the proper grasp of the world by reason. In the realm of action, the productive orientation is expressed in productive work, the prototype of which is art and craftsmanship. In the realm of feeling, the productive orientation is expressed in love, which is the experience of union with another person, with all [humans], and with nature, under the condition of retaining one’s sense of integrity and independence.”
Productive love reflects a set of attitudes, “that of care, responsibility, respect and knowledge” (Fromm, 1956: 33). Productive love, as part of the orientation of productive life, is the gem of Fromm’s conceptualisation of biophilia.
ii. Insane capitalism: alienation as death
For Fromm (1956: 94-95), capitalism tends towards insanity because it generates a world in which capital, “dead past”, is placed higher than labour, present “living vitality”:
“The conflict between capital and labor is much more than the conflict between two classes, more than their fight for a greater share of the social product. It is the conflict between two principles of value: that between the world of things, and their amassment, and the world of life and its productivity.”
It is worth noting here that Fromm’s (1956: 6) identification and exploration of the “pathology of normalcy”, specifically, the pathology of capitalism, made his work a timely radical alternative to that of Sigmund Freud:
“Freud’s concept of human nature as being essentially competitive (and asocial) is the same as we find it in most authors who believe that the characteristics of man [sic] in modern Capitalism are his natural characteristics. […] His basic concept is that of a “homo sexualis” as that of the economists was that of the “homo economicus.” Both the “economic” man and the “sexual” man are convenient fabrications whose alleged nature – isolated, asocial, greedy and competitive – makes Capitalism appear as the system which corresponds perfectly to human nature, and places it beyond the reach of criticism.” (Fromm, 1956: 76-77)
The basic problem of capitalism, Fromm (1961: 43) argues, is “the negation of productivity: alienation”. Capitalist social relations distort the labour of productive life – that is, meaningful and enjoyable self-expression – into labour which is forced, meaningless, and alienated from us. This alienation (or estrangement) means that we do not experience ourselves as active agents; “the world (nature, others, and [oneself]) remain alien to” us, standing above and against us “as objects” (including those of our own creation) (Fromm, 1961: 44). In brief, alienation, as “essentially experiencing the world and oneself passively, receptively” (Fromm, 1961: 44), is dehumanisation and death.
The consequence of capitalist alienation for life in general is the loss of the human dimension through abstractification and quantification:
“This abstractification takes place even with regard to phenomena which are not commodities sold on the market, like a flood disaster; the newspapers will headline a flood, speaking of a “million-dollar catastrophe,” emphasizing the abstract quantitative element rather than the concrete aspects of human suffering. […] It is an expression of the same attitude when a newspaper headlines an obituary with the words “Shoe Manufacturer Dies.” Actually a man has died, a man with certain human qualities, with hopes and frustrations […].” (Fromm, 1956: 116)
Contrary to productive love as biophilia, capitalist alienation fosters the indifference to life and even the attraction of death:
“We speak of millions of people being killed, of one third or more of our population being wiped out if a third World War should occur; we speak of billions of dollars piling up as a national debt […]. Tens of thousands work in one enterprise, hundreds of thousands live in hundreds of cities. The dimensions with which we deal are figures and abstractions; they are far beyond the boundaries which would permit of any kind of concrete experience. There is no frame of reference left which is manageable, observable, which is adapted to human dimensions. While our eyes and ears receive impressions only in humanly manageable proportions, our concept of the world has lost just that quality; it does not any longer correspond to our human dimension. This is especially significant in connection with the development of modern means of destruction. In modern war, one individual can cause the destruction of hundreds of thousands of men, women and children. He [sic] could do so by pushing a button; he may not feel the emotional impact of what he is doing, since he does not see, does not know the people whom he kills; it is almost as if his act of pushing the button and their death had no real connection.” (Fromm, 1956: 119)
In our present moment, in which the president of the most powerful country on Earth denies the existence of climate change, Right-wing reactionary nationalisms are on the ascent worldwide, experts are ridiculed and ignorance is celebrated as non-elitist, and fake news is all the rage, Fromm’s (1956: 120) words take on a renewed sobering significance:
“Science, business, politics, have lost all foundations and proportions which make sense humanly. We live in figures and abstractions; since nothing is concrete, nothing is real. Everything is possible, factually and morally.”
iii. Insane capitalism: nationalism as idolatrous worship
“From this day forward, a new vision will govern our land. From this day forward, it’s going to be only America first, America first.” (Donald Trump, 2017)
“If you believe you’re a citizen of the world, you’re a citizen of nowhere.” (Theresa May, 2016)
“Now, the dividing line is not between left and right but globalists and patriots.” (Marine Le Pen, 2015)
Fromm (1956: 58-59) insists that the person who has not “freed” oneself “from the ties to blood and soil is not yet fully born as a human being”, since their “capacity for love and reason” is debilitated:
“Nationalism is our form of incest, is our idolatry, is our insanity. “Patriotism” is its cult. It should hardly be necessary to say, that by “patriotism” I mean that attitude which puts [one’s] own nation above humanity, above the principles of truth and justice; not the loving interest in one’s own nation, which is the concern with the nation’s spiritual as much as with its material welfare – never with its power over other nations. Just as love for one individual which excludes the love for others is not love, love for one’s country which is not part of one’s love for humanity is not love, but idolatrous worship.”
For Fromm, it is only when we succeed in fully developing our love and reason (moving from ‘freedom from’ to ‘freedom to’) that we can create a world based on solidarity and justice, that we can feel rooted in a universal comradeship. What’s more, the ecological survival of planet Earth depends on such a biophilic reclamation of globalisation – a rooted connection to ourselves, other living beings, nature, and the world.
iv. The socialist struggle for Biophilia
“The whole life of the individual is nothing but the process of giving birth to [one]self; indeed, we should be fully born, when we die – although it is the tragic fate of most individuals to die before they are born.” (Fromm, 1956: 26)
Fromm defines biophilia as “the passionate love of life and of all that is alive; it is the wish to further growth, whether in a person, a plant, an idea, or a social group” (Fromm, 1973: 485). The tendency “to preserve life and to fight against death” is the most elementary form of biophilia, and is common to all living beings; the more positive aspect of biophilia is the tendency of all living substance:
“to integrate and to unite; […] to fuse with different and opposite entities, and to grow in a structured way. Unification and integrated growth are characteristic of all life processes, not only as far as cells are concerned, but also with regard to feeling and thinking.” (Fromm, 1964: 45-46)
The “person who fully loves life is attracted by the processes of life and growth in all spheres”, preferring “to construct rather than to retain”, “capable of wondering”, loving “the adventure of living” more than certainty, seeing “the whole rather than only the parts”, and wanting “to mold and to influence by love, reason, […] not by force, by cutting things apart” (Fromm, 1964: 47). In dialectical tension with biophilia is necrophilia, the love of death. When life becomes about things, when one is engrossed with having rather than being, when one is obsessed with possession and control, when one is oriented to the past rather than to the present and future, desiring certainty when the only certainty in life is death, then a necrophilous orientation develops (Fromm, 1964). Contrary to Fromm’s dialectic of the biophilous and necrophilous orientations is Freud’s idea of the life instinct (Eros) and the death instinct. This, for Fromm (1964, 1973), is wrong, since both are not biologically given and equally ranked. Biophilia is the normal impulse for living beings, whereas necrophilia is the result of a life unlived.
Most societies fuel conditions of existence for both our creative and destructive tendencies, just as most people are a combination of biophilous and necrophilous orientations – the question is which wins out. “A healthy society furthers” our “capacity to love” others, “to work creatively, to develop” our “reason and objectivity, to have a sense of self which is based on the experience of” our “own productive powers”; whereas, an “unhealthy society is one which creates mutual hostility, distrust, which transforms” us “into an instrument of use and exploitation for others, which deprives” us “of a sense of self” (Fromm, 1956: 72-73). Fromm (1964: 59) warns that the lack of protest against nuclear warfare and “the discussions of our “atomologists” of the balance sheet of total or half-total destruction” reveals “how far we have already gone into the “valley of the shadow of death””. This analogy retains critical relevance amid our own era of global warming and reactionary Right-wing nationalisms.
Ultimately, a political struggle is needed for a global and grassroots democratic socialism that enables the “full unfolding of biophilia” (Fromm, 1964: 46) and the full development of the person “who does not “dominate” nature, but who becomes one with it” (Fromm, 1961: 63). Fromm was a staunch critic of both capitalism and Stalinist totalitarianism. His vision of socialism was for an end to “existential egotism”, in which, quoting Marx, we are alienated from our “own body, external nature”, our “mental life” and our “human life” (Fromm, 1961: 53). Fromm (1961: 63) elucidates:
“Marx’s concept of socialism is a protest, as is all existentialist philosophy, against the alienation of [humans]; if, as Aldous Huxley put it, “our present economic, social and international arrangements are based, in large measure, upon organised lovelessness,” then Marx’s socialism is a protest against this very lovelessness […].”
This is a socialism against the exploitation by human beings of other human beings, of other living beings, and of nature; this is a struggle for a productive life, for life creating life, and for the ecological sovereignty of biophilia.
“Welcome to biophilia, the love for nature in all her manifestations…” (David Attenborough)
Björk (2011a) Björk is back – Interview 2011 (about Biophilia), YouTube
Björk (2011b) Bjork: On Music and Biophilia – The Sound of Nature | WIRED 2013, YouTube
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